Iron Maiden Best Of The Beast Rar
Iron Maiden's first major compilation album, released in 1996, may seem dated today, but it contains some of the bands strongest and most memorable material up until that point, and seeing as this was released after Bruce Dickinson initially left the band (he'd rejoin them in 2000), this perfectly summarizes what many consider to be the groups 'golden era'. As is always the case with compilations, there's the argument for which songs should have been included and excluded, and in this regard 'The Best of the Beast' pretty much covers all the essentials. There's maybe one or two things I'd have preferred, perhaps at least one Paul Di'Anno-era song to be featured (there is one, but it's a live version sang by Dickinson), but that isn't too much of a detriment to the overall product. Featuring all the classics such as 'Aces High', 'Run to the Hills', 'Can I Play With Madness', 'Be Quick or Be Dead', 'Fear of the Dark', 'The Number of the Beast' and 'The Trooper', this is a great starting point for newcomers to the band (and I say this from experience, as this was my first Maiden album). There's some fantastic artwork used for the covers and inlays, with plenty of photos, lyrics and liner notes in the booklet, and seeing as it featured most of Maiden's early hits, this makes for a nice overall package for fans of the band. However dated it may seem today, it's still a worthy addition to the collections of die-hard fans.
10) Phantom Of The Opera (Iron Maiden, 1980) The monster track on Iron Maiden’s self-titled debut album, Phantom Of The Opera is a titanic, seven-minute riff-fest lit up by brilliant twin-lead interplay between Dave Murray and Dennis Stratton. A vehicle for the twin guitars of Dave Murray and Dennis Stratton, Harris’ insistent bass, Clive Burr’s metronome beat and the interjections of Di’Anno, its lengthy instrumental sections are multi-paced yet rarely less then pummelling in their intensity – it’s enough to give Andrew Lloyd Webber nightmares. Stranger still, it ended up on a Lucozade advert starring decathlete Daley Thompson. “I first heard Phantom Of The Opera when that first Maiden album came out in 1980, and it was so different to anything else out there,” guitarist tells Metal Hammer.
“The riffs, the arrangement, the cycles it goes through I love it, man. It’s such a unique song, it’s my favourite by them.” 9) Run To The Hills (The Number Of The Beast, 1982) The story of European settlers’ travails in the so-called New World, Run To The Hills is told from the perspective of both the foreign invaders and the oppressed Native Americans (although Maiden use the non-PC expression ‘redskins’ in the lyric). Their debut release with vocal powerhouse Bruce Dickinson, Run To The Hills gave the band their first Top 10 hit, reaching No.7, in 1982. “It’s a song that I have sung many times! I can hit all of the notes in that one, but I’m not comparing myself to Bruce – I’d never do that,” Lacuna Coil’s tells Metal Hammer. “It’s just a fucking great song, an all-time classic. I don’t want people to think of me as a weirdo who picked some obscure B-side, so I’m going with one of the greatest songs ever made.” “Listening to this as a young man on headphones on my parents stereo felt a little bit awkward,” Blaze Bayley tells Classic Rock.
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“I started to have the feeling that this music would break the stereo, because it was so different to the Satchmo my father listened to. Dickinson was the future voice of maiden. This song still gives me some of the excitement of the first few times I heard it even now.”. 8) 2 Minutes To Midnight (Powerslave, 1984) A furious anti-war protest song with a lyric that hits as hard as the music, 2 Minutes To Midnight is, in essence, Iron Maiden’s. No matter that the bludgeoning riff somewhat echoes Riot’s charging Swords & Tequila, this is classic Maiden through and through.
“It combines the very best of Maiden,” guitarist Tom Morello tells Metal Hammer. “There’s metal fury, technicality it’s a big metal banger! It became this huge MTV hit despite never going anywhere near a major key, and it has one of the best ever Maiden riffs and choruses.” 7) The Number Of The Beast (The Number Of The Beast, 1982) Offering chills and thrills in equal measure, The Number Of The Beast was inspired by a nightmare Steve Harris had after watching the film Damien: Omen II. And no, that’s not Vincent Price doing the sinister spoken-word intro (Maiden couldn’t afford his fee). In fact it’s Barry Clayton, who used to read ghost stories on Capital Radio. When Maiden play the title track live, it only takes a couple of seconds of this intro before the fans are bellowing with such enthusiasm that the rest of the speech disappears.