Interpol Antics Zip

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External Links: • Official website: • Tour dates: • Facebook: • Twitter: • YouTube: • Instagram. I’m not sure how I feel about the album leaking on this subreddit before it comes out! I hope you all have it preordered, or plan to buy it. That being said---- For OLTA and S/T I had to listen a few times to get in to it.

This album has a really great vibe right off the bat. It’s even more upbeat and poppy than Antics, mostly rock songs and not a lot of somber slow burners. There’s not one song I’ve listened to so far that I don’t really, really like and can’t wait to revisit. My favorites so far are “Anywhere,” “Same Town, New Story” (holy shit, starts off like a jazz song – really differerent!) “My Blue Supreme” and “Everything is Wrong.” “Everything Is Wrong” kinda sounds like an old Killers song, but it’s so good. Lotsa high-pitched, dynamic vocals. Really solid bass. I love the way Paul’s voice is mixed on “Twice as Hard.” DAE feel like the beginning of “Twice as Hard” sounds like some continuation of “The Lighthouse?” I think this is going to turn out to be worth the hype.

Obviously, it’s not going to satisfy all Interpol fans, if only because there’s a lack of really gloomy, quiet tracks with crazy outros. But I love it. I can see myself listening to it again and again like TOTBL and Antics.

Edit: not sure if the torrent I received from a redditor last night is still up and running, but PM and I'll forward it along.

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My unquestionable love for ’s 2002 debut has led me to do questionable things. I’ve continued to go to their shows despite being annoyed the first time seeing them when they all lit cigarettes in unison—an unnecessarily synchronized gesture that made me realize that no matter how the music made me feel, there was something contrived competing with authenticity. Then, there were the many hours I wasted circa 2004 monitoring eBay auctions in the hopes of procuring an Antics era vinyl box set, which was only otherwise available at Interpol art shows in a few select cities.

I think I can still get behind the concept, but another part of me wants to scream, “Pretentious!” But, then there’s the admitted flutter of excitement I feel when I hear new Interpol music is on the way. It isn’t quite rational since none of their albums have enthralled me the way that the first one did. Antics was a solid sophomore effort, with whip-around-with-abandon tracks I still crave. And their fourth, self-titled album was surprisingly seductive—strong evidence the band hadn’t lost their talent for siring dark brilliance. But, I’m ambivalent about much of their work, including their third album, Our Love to Admire (2007), and their fifth, El Pintor (2014).

Both are innocuous enough in the moment, but I’m guessing these efforts didn’t win many new fans. Yet, sixteen years after their now legendary debut, Interpol don’t necessarily have anything to prove. By account of critics and fans (myself included), Turn on the Bright Lights is a sensational album, capturing the pained, but defiant spirit of the greatest city in the world in the wake of 9/11.

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And, since then, they’ve crafted dozens of songs in their definitive aesthetic to warrant occasional attention and passing listens. Sadly, the problem is Interpol have never really progressed. Their ability to conjure atmosphere in the vein of seminal post-punk outfits like Joy Division and Echo & the Bunnymen felt strangely refreshing and inspired at the turn of the millennium. The chemistry between vocalist/guitarist Paul Banks, guitarist Daniel Kessler, bassist Carlos Dengler and percussionist Sam Fogarino was scintillating (not that it justifies the choreographed cigarette lighting!). In their early days, Interpol didn’t just sound amazing.